11/10/2023 0 Comments Kairon irse best track![]() It is amazing that a pop album as stylistically and instrumentally diverse as this one can also be so unifying and consistent. As such I feel it goes without saying that I give them all my absolute recommendation.ģ1: Klô Pelgag – Notre-Dame-des-Sept-Douleurs (art pop) Even ranking them individually felt like a triviality at points. These are the ones I felt obligated to talk about. ![]() I’m hoping that, at the very least, there’ll be at least one album here for everyone, from the mainstream miscreants to those dirging up the depths for bands lost to the flow of time. I may not have the same mettle for metal as Matt, nor the same dedication to deathlessly digging up discoveries as Dæv, but I do hold my own brand of bloody odd tastes, and I’ll be damned if I’m going to let XX XX take that from me. ![]() (At least, not in this one regard…) It was enough to bring me back from the dead, after all. While I personally would not say we had any absolute gamechangers this year, that doesn’t mean the year was an absolute waste. 2020 was a bad year, and this did have a knock-on effect with the amount of music that was released as well. Not just our favorite underrated live band of timeless song-smiths, plenty of Psych-Rock aficionados and Prog Rock freaks the world over are starting to wax lyrical about how stupendously potent Kaleidobolt’s Hard Rock magic–brew really is.A bit late to the party, but here we are, nonetheless. References are hard to come by when a band this inspired hits full throttle, but must be witnessed and experienced to believe. Rabble rousing tracks like “ Weekend Warrior” give Scandinavian Blues-Rock titans Hellacopters, Graveyard, and Witchcraft a serious run for their money, while Psychedelic riff-mountains like “ Ultraviolent Chimpanzee” bring to mind the purple-hazed deserts of Josh Homme on acid suddenly gone all Tame Impala. The new album was mostly recorded at E-Studio (a very fancy and large studio in southern Finland) in August 2021, and a bunch of overdubs and vocals sessions at Wastement in September/October (a well-worn rehearsal place in Tampere that has been the birthplace of some of last decade’s best Finnish Psychedelic Rock music).Īll the sessions were supervised by Niko Lehdontie (best known for Oranssi Pazuzu & Kairon:IRSE!) who produced and mixed this blistering album of stone-age Blues and crushing riffery. Kaleidobolt’s ascension to the zenith of “ This One Simple Trick” has been mounting like wildfire, where Finnish bands of this caliber haven’t been seen since the 1970s. Kaleidobolt’s incendiary humor and the sense of fun that the band brought to the studio, along with the injection of new blood, transfuses straight through the jugular and into a powerhouse collection of explosive songs and relentless energy that’s impossible to deny. WIth Gustafsson’s relentless drumming matching every beat of Menestrina and Kääriäinen’s genius instinct for bad-ass rebellious Hard Rock, it feels like “ This One Simple Trick” is Kaleidobolt hitting the bullseye in every enthralling moment. Gustafsson, according to Menestrina, brought his own “ very creative musical mind, drumming chops for days, and a great sense of humor” to “ This One Simple Trick.” Kaleidobolt has never sounded this ferocious and exhilarated, that their joy makes the songs on the new record as infectiously contagious as the pandemic they were created under. “ This One Simple Trick” packs more punch than most bands with far larger lineups the deadly trio of Sampo Kääriäinen (guitar, lead vocals, keyboard) and Marco Menestrina (bass, vocals, keyboards, percussions) are reinvigorated by recent new recruit, drummer Mårten Gustafsson. Finland’s own masters of frenzied Proto-Metal Kaleidobolt bring the past up to date with a new album that perfectly elevates all the promise and flair their reputation has been boiling over since their 2015 debut album.
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